Showing posts with label Participation. Show all posts
Showing posts with label Participation. Show all posts

Monday, February 7, 2011

So she messed up the lyrics

I've told people that being from Minnesota originally (and therefore not allowed to cheer for the Packers) and now living in northeast Ohio (and therefore not allowed to cheer for the Steelers) meant that I could mostly ignore the game this weekend.  Neither outcome would lead to much celebration or heartbreak.  On the other hand, the musical performances and the commercials always demand a certain level of attention, and they certainly didn't disappoint this year.

Let's start with the obvious observation: Christina Aguilera screwed up the lyrics to the National Anthem.  Big deal.  We all mistakes, and what musician hasn't played or sung a wrong note or word?  I once accompanied a college recital where the singer forgot his lyrics and proceeded to replace the Italian lyrics by listing every kind of pasta he could recall.  (The memory of an Italian aria reduced to "ravioli macaroni et lasgna" still makes me laugh.)  The Super Bowl may be the worst imaginable time to forget the words, but at least they rhymed and she powered through to the end.  You've got to give her credit for singing it live and for maintaining composure.  One might wonder if next year there will be a teleprompter, or even a few helpful words scribbled on the singer's palm.

My problem with the performance wasn't her little mistake, it was the overly dramatic, self-indulgent nature of the performance.  Don't get me wrong, the song isn't sacrosanct and immune from interpretation.  Recordings of Jimi Hendrix playing the Star Spangled Banner can make you hear it in a whole new way.  But Aguilera wasn't trying to communicate her passion and patriotism and deep connection with the lyrics.  She was simply closing her eyes, raising her free hand in the air, and generally mimicking every performance you'll see on American Idol this season.  Singers now strike certain poses simply because it's part of the accepted theatricality of the ritual, not because it's spontaneous or motivated by the song itself.  How authentic can a performance be if it looks exactly like every other performance?

Aguilera violated my pet peeve by singing with her eyes closed.  Even at the community theatre level, actors know that you can't communicate with an audience if your eyes aren't open.  You can't engage with fellow actors, audience, or even an everyday conversation.  Just imagine if a man proposed to his wife without looking into her eyes; would it seem sincere?  Closing your eyes while singing only puts distance between you and your audience.  It's one of the reasons that so-called "praise bands" violate the purpose of corporate worship.  They strike poses to demonstrate their religious fervor, but their artificiality separates them from the congregation.

We sing hymns with our eyes open.  Partly because it's easier to see the text, but mostly because when we sing we are joining together in praise, prayer, and proclamation.  We are a community of faith, flawed and imperfect but in it together - much like our nation.  If only Aguilera had remembered that.  It would have made for a great performance, missed lyrics and all.

Wednesday, January 27, 2010

In praise of church music

I came across this quote from the Catechism of the Catholic Church, and I thought it would be perfect to share here:

"The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art. The main reason for this pre-eminence is that, as a combination of sacred music and words, it forms a necessary or integral part of solemn liturgy."

To put the same idea in my own vernacular version, I'd paraphrase the musical "Nine": What good is church without le singing? (And that idea is even more fun if you can hear Judi Dench singing it in your head.)

So is it true that music is greater than any other art when it comes to religious value? Can we even measure the value of Michelangelo's Pieta against Mozart's Requiem? Or perhaps the value simply in the weekly direct participation of the congregation in music.

Wednesday, January 20, 2010

Even genius millionaires used to sing and dance


During my time in Florida, we visited the winter home and laboratory of Thomas Edison and his next door neighbor Henry Ford. It's a beautiful estate, of course, and the variety of plants is amazing, particularly the huge banyan tree that no visitor there ever forgets. (That tree was among the things that had stuck with me from an earlier visit years ago.)

On my tour this time, however, I especially noticed our tour guide's comments about the important roles of music and dance in Edison's life. Edison enjoyed playing the piano in his spare time, and he met his second wife at a party when she played a piece by Chopin that caught his attention. His grand piano is still on display at the house.

The guide also told stories about parties at the estate, when the carpets would be rolled up so that the people could square dance. Edison and Ford apparently both loved to square dance, and it was a requirement for their employees to know how to dance.

Ironically, Edison's own inventions have distanced us today from such active participation in our own entertainment, both music and dance. Musical recordings and movies and television (not all direct Edison inventions, I realize, but certainly all stemming from his work) create unrealistically perfect performances and encourage our passive, private enjoyment of the arts. I doubt that parties at Bill Gate's home still involve rolling up the carpets to square dance. A societal shift away from participation in the arts is a great loss for all of us. It's important for our spiritual health to maintain our connection with the arts, and church is one venue where we can still sing with family and friends. Where else in your life do you still sing (or dance)? That's just one more reason to sing with gusto this Sunday!

Wednesday, October 14, 2009

The Eeyore problem


I was talking to a friend the other day who is also a Cleveland transplant (me from Minnesota and her from Buffalo), and we commented that hometown pride seems less common than in our previous homes. Then I read Connie Schultz's article from this past Sunday's Plain Dealer. She said of the citizens of Cleveland: "We're not just modest, we're mopey. Too many Eeyores, not enough Tiggers."

I've never believed that attitude is innate; I belong more to the Viktor Frankl school of thought: the one thing that you can always choose or control is your attitude. It's why I loved running a scrappy theatre company, why I love playing church organ, and even why I adore the tv show "Glee." My optimism that we can accomplish great things is based on the institutions of the public library, schools, and churches. And I find that optimism best expressed in great hymns of faith (as well as great musical theatre).

We all face challenges, and the "rust belt" has had suffered more than its fair share in a struggling economy. But that's no reason not to maintain a positive attitude and to work hard for a brighter future. Churches are one place that optimism, the "Good News," should be a bright light of hope for our community and the world.

Monday, October 12, 2009

Article in "The Lutheran"

Yesterday, I read in the church council minutes that Bethany will be ordering fewer copies of The Lutheran in the future because there isn't enough demand in the congregation to justify our current order size. I found the timing ironic because the latest issue includes an article on how to reach people through a "multichannel church." (You can read the whole article here.) Reading about and staying current with issues in the broader ELCA community represents one of those multiple channels through which the church can touch our lives.

The overall thrust of the article is that Sunday-centric churches will continue to struggle in the future. Churches need to reach out in as many ways as possible, and encourage participation through multiple channels. Of course, music is one way that you can be a part of the church service - that means choir rehearsal on Wednesday night or playing an instrument as well as just confidently joining in during the hymns on Sunday morning.

Bethany has plenty of other ways to participate as well - Bethel Bible study is just one high profile example this year. Of course, I also think this blog and the web in general are important ways that the church can increase its profile and participation. Sunday is actually the day with the lowest web traffic here, so I know it's a way for some people to stay involved outside the traditional service.

This issue and the discussion about it are so important for the ongoing health of any congregation and the church as a whole. The website for The Lutheran has plenty of discussion forums on this and many other topics. (Among the issues I saw discussed there - how are pastors and staff supposed to keep up with even more interactions and forums for participation? Certainly that is just one question we need to explore.) Any thoughts or experiences you have on how to increase participation?